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Japan 2017

Every summer karate people from around the world gather together for the annual Seiwakai International Training Camp and the JKF Goju Kai Seminar and Championships in Japan. The Seiwakai training camp lasts for 7 days, is held in Omagari, Daisen City (Northern Japan, Akita Prefecture) and is taught by Seiichi Fujiwara Hanshi, 8th Dan and President/Chief Instructor of the association. The JKF Goju Kai seminar and subsequent championships is 4 days long and is held in a different location in Japan each year. This year’s events were held in Wakayama (Mid-Southern Japan, Kansai region, about 4 hours by Shinkansen from Tokyo).

I have been traveling to Japan every year since 2011 and it is one of the highlights of my karate calendar and I’m always excited to go back every single time. If you want to know why, check out the video on the Seitou Ryu Karate Facebook page or YouTube https://www.youtube.com/watch?v=aXDR7nSVruk, crank the volume up to 11 and enjoy.

Welcome to Japan

I landed a couple of days before training was due to start so that I had some time to acclimatise and get by body clock on track, but despite taking a direct flight to make my traveling a little easier, I found that the hustle and bustle of being in a big city still bothers me. There’s so much to see and do in Tokyo and so many people that it can be a little overwhelming on the senses, so I just plug in my earphones and put on some tunes to drown out the noise. Within a day though my mind is calming down and used to the pace of life around here and I’m ready to start training soon.

The weather in the north of Japan had taken a turn for the worse with many people struggling to get to Omagari from any direction. Floods on multiple routes meant that even those who flew to Akita (the nearest airport) were unable to get there when they had originally planned. Thankfully by the afternoon, the trains were running again and I managed to catch the Shinkansen, arriving safely in Omagari the evening before training was due to begin. 

Day 1 of the Seiwakai Training Camp

In the morning session stances were a main focus point, Fujiwara Hanshi made sure that we were using them correctly in both stationary positions for stability and grounding as well as for movement. A little kata followed; Sanchin, Tensho, Gekisai Dai Ichi, Gekisai Dai Ni and Saifa. Good training as always and a pleasure to train alongside my Seiwakai brethren from around the world. I think there were over 100 people there and it’s always nice to get to know the new ones and catching up with old friends over the week-long training.

By the end of day one I was already feeling sore. Although the training was fairly basic and nothing overly complicated, it was pretty much non-stop which I thoroughly enjoyed. The afternoon session covered Sanseru, Kururunfa and Seisan with just enough detail to rack your brains around. Fujiwara Hanshi gave us some very good technical points and some conceptual ideas for bunkai study too.

Day 2

My body hadn’t quite been able to catch up to Japan time yet so I was feeling exhausted before we even started. I discovered some quirky little drinks called D8 and D11 which helped a lot, especially the latter in the afternoon session.

Fujiwara Sensei went into more detail on a variety of kata, including a number of subtle nuances that could easily be missed but were very important to know. Working on Sanchin in groups with 4 of the seniors leading the way so that we could watch, learn and do our best to mimic was really good. Thank you to Shihans Des Tuck (USA), Rastislav Mráz (Slovakia), Jamie Duggan (Australia) and Rod Martin (Australia) for showing their expertise today.
Tensho, Gekisai Dai Ichi, Gekisai Dai Ni, Saifa in the morning followed by Shisochin, Seisan and Kururunfa in the afternoon. Connecting many of the techniques and principles with a mixture of pair work drills including kakie which I thoroughly enjoyed. The kata bunkai study was interesting and nice to see that many of the applications we practiced today were ones that I have already been doing which reinforced that I’m on the correct path. A real pleasure to see some of the Japanese juniors training today, as they demonstrated their kata it made me feel inspired at how hard they work and seeing such high standards. Definitely, ones for my own students to see and work towards.

Day 3 

Finally got my body clock on track so it was all in for today’s training. Started with a light hammering on our basics, legs felt really heavy by the end after kicking for what felt like an eternity. Really enjoyed the Sanchin and Tensho training, connecting the basics within them and reinforcing them with additional movement drills. Briefly touched on Gekisai Dai Ichi, Gekisai Dai Ni, Saifa and then finally Seiyunchin which my legs did not enjoy very much. I was surprised at how quickly the morning session passed. Probably because I was enjoying it more due to having more energy.

The afternoon session consisted of kata training (Seipai, Seisan, and Kururunfa) with lots of partner work to help everyone understand the principles of movement and applications. I had the pleasure of working with one of the Slovakians who did really well and we quite enjoyed giving each other a few digs throughout.

Day 4 

After an enjoyable rest day followed by the Seiwakai Sayonara Party in the evening which left a few people worse for wear in the morning you could see plenty of tired faces struggling through the training at the start and as the day went on. Weirdly enough I had quite the burst of energy which lasted throughout most of the day. It felt good to be training in the Budokan for one of the days as the previous 3 days of training in the solid floor of the gymnasium had been battering my knees and ankles.

Training was hot and sweaty throughout. I think Fujiwara Hanshi said that in Omagari today was the hottest day so far, we certainly felt the heat! A little kihon practice to keep everybody sharp and also to sweat out some of last night’s indulgences. More work on Sanchin, Tensho, Seiyunchin, Sanseru, Kururunfa, and Seisan with a fair amount of bunkai and partner work throughout.

A number of Fujiwara Hanshi’s students were training with us today and we were also visited by the Mayor of Daisen City who was very happy to see us all. The juniors here are impressive to watch and quite inspiring to see how hard they work and the level of focus they have. When it’s time to train they’re 100% in, then switch to being a child and having a wail of a time, laughing, joking with their friends during the breaks and after training. The body was wearing pretty thin towards the end of the day so I’m glad I had my foam roller to help work out the knots and tight spots so that I’m fresh(ish) for the next day.

Day 5

The aches, pains, and fatigue from 5 hours a day of training finally kicked in for many people. Energy levels were pretty low so Fujiwara Hanshi surprisingly went fairly easy on us throughout. A hot a humid day (31°C and 74% humidity) so we were all dripping early on and had to regularly mop the floor. After working on Sanchin and Tensho again in the morning everybody was split into grade relevant groups to work on their kata. After having done only a little Seipai practice up to this point it was good to get stuck in. One thing that was quite noticeable was how much uniformity we all had within our group. For such a large international group that is spread far and wide everyone was pretty similar aside from a few technical and timing points. Got a gold nugget of info from Scott Read (Australia) which helped a lot so I returned the favour with one of my own which did the same.

Day 6 

 

The last training day in Omagari and exhaustion finally caught up to me and took over so I ended up missing part of the morning training which consisted of Sanchin and Tensho practice, with a fortunate few getting shime tested too. More group kata practice followed for the rest of the morning. We had a pretty well-focused group working on Seipai and I particularly enjoyed working with fellow Brit Joanna Britton and Australians Scott Read and Chris McKenna the last few days.

The afternoon session was brief, with each grade group going up to perform their kata in front of Fujiwara Hanshi as a pre-testing training before the main grading that followed.

Gradings here are closed so no spectators meaning that those who weren’t testing could relax a little earlier whilst those who were would expectedly be feeling a little more of the nerves and pressure. By the evening everyone had heard the results for all but the highest Dan grades who would find out if they passed or not in a few days.

 

Seiwakai Training Camp 2017

Day 7 (we’re now in Wakayama)

It was a scorching day at the JKF Goju Kai Seminar. 27°C at 7am and training didn’t even start until 10am. It hit 34°C by lunchtime and I was glad the dojo was a bit cooler. On arriving I was bit shocked to find I was weighing in at over 1.5kg for my kumite category (-75kg) so had to make sure I trained extra hard to burn things off as I was told that I would be disqualified if I was not within the limit at the official weight check in 2 days time.

Training went well. A few classical Goju warm up and supplementary exercises from Takegawa Sensei to start us off, followed by a brief-ish run through of Gekisai Dai Ichi, Gekisai Dai Ni and Saifa. Sanchin training which strangely felt shorter than usual but I did have a good time working with fellow Brit Jerry Kelly as we checked each other with a little shime. Picked up lots of information on Seiyunchin from Muramatsu Sensei and Sato Sensei. Probably a kata I have neglected practicing as much recently so it felt good to knuckle down on it and polish off the rusty bits. Wrote down a bucket load of notes to take back to my students.

After lunch we split into groups for specific kata practice. I was really happy to get to study under Sato Sensei, he’s one of my favourite JKF Goju Kai instructors. I’ve been wanting to get some major study and focus on Seipai and I got it in droves with him today. My head was hurting a little bit from all of the information and also separating the variations too.

Day 8

The last training session of the JKF Goju Kai Seminar was a short one, only 2 hours. But Takegawa Sensei still managed to pack loads into the session. Sanchin and Tensho to start with, followed by split groups for kata practice. I thought I had more than enough information from the previous day’s session with Sato Sensei but I still picked up quite a few big nuggets to help me refine my kata. I really enjoy the multiple ideas and viewpoints that each instructor brings, it’s just a shame that the training is only for 2 days.

By the end of the day the hard training had paid off and I finished up nearly half a kilo under the weight limit I had to be careful for the next 12 hours or so. In a last-ditch effort to keep the weight under the limit for the tournament, I took a nice run to Wakayama Castle and back with a little stopover to say goodbye to an old friend.

JKF Goju Kai Seminar (Wakayama)

Game Day

The JKF Goju Kai All Japan Karatedo Championships is a pretty big tournament with well over 1,000 competitors across 12 tatami. The last time I competed here was in 2012 but I was only doing kata, this time I was entering both kata and kumite.

After a successful weigh in the morning and the opening ceremony it was time to rehydrate and refuel in preparation for my events but unfortunately, it was too little too late. Shitei round for everyone meant that the 22 competitors in our division had to perform Seiyunchin. I felt that I started off pretty strong but then the dehydration earlier caused both calves to cramp up one after the other, causing a stumble which cost me a few points and resulting in a low score, not the worst but still pretty low. A good experience though and learned a few lessons for next time.

In the kumite event I had a close match in the opening round, finishing up 3-2 to my opponent and both of us getting some good shots in on each other. Although I didn’t win my fight I did have an absolute blast as I got to fight my friend Yuki whom I last competed against in 2012. For my first time competing in kumite in Japan I feel pretty good about it all. The judging and refereeing were fair and consistent and the quality of the fighters was definitely what I feel I could go up against to give me a good strong challenge and help me improve my game so I’ll definitely be heading back next year fitter, better and stronger. 

Overall it was an enjoyable and educational day of competing with Team GB and our worldwide Seiwakai brethren. Although I didn’t place I’m not disappointed as I learned plenty and had a very positive experience. The biggest lesson for me that I’ll avoid next time is not trying to cut weight so quickly, I’ve not done it before and I don’t think I’ll do it again.

As with every trip, this year’s Japan journey was full of friendship, excitement, laughter, tears, a few bumps and bruises and an abundance of lessons learned. There’s something to be said about the immersion when you’re out here, there are very few if any distractions to get in the way of focusing on training and learning and it helps you to be able to take on board so much more. Bringing the information back to share with my students and also to help me along my own journey makes this an absolute must. So many great memories and I’m already looking forward to next year for the training camp in Omagari then not having to travel so far for the seminar and championships in Akita.

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Liberate yourself from Classical Karate

A learned man once went to a Zen teacher to inquire about Zen. As the Zen teacher explained, the learned man would frequently interrupt him with remarks like, “Oh, yes, we have that too. …” and so on.

Finally, the Zen teacher stopped talking and began to serve tea to the learned man. He poured the cup full and then kept pouring until the cup overflowed.

“Enough!” the learned man once more interrupted. “No more can go into the cup!”

“Indeed, I see,” answered the Zen teacher. “If you do not first empty the cup, how can you taste my cup of tea?”

I hope my comrades in the martial arts will read the following paragraphs with open-mindedness, leaving all the burdens of preconceived opinions and conclusions behind. This act, by the way, has in itself a liberating power. After all, the usefulness of the cup is in its emptiness.

Make this article relate to yourself because though it is on jeet kune do, it is primarily concerned with the blossoming of a martial artist — not a “Chinese” martial artist or a “Japanese” martial artist. A martial artist is a human being first. Just as nationalities have nothing to do with one’s humanity, so they have nothing to do with martial arts. Leave your protective shell of isolation and relate directly to what is being said. Return to your senses by ceasing all the intervening intellectual mumbo jumbo. Remember that life is a constant process of relating. Remember, too, that I seek neither your approval nor to influence you toward my way of thinking. I will be more than satisfied if, as a result of this article, you begin to investigate everything for yourself and cease to uncritically accept prescribed formulas that dictate “this is this” and “that is that.”

On Choiceless Observation

Suppose several persons who are trained in different styles of combative arts witness an all-out street fight. I am sure we would hear different versions from each of these stylists. Such variations are quite understandable, for one cannot see a fight (or anything else) “as is” as long as he is blinded by his chosen point of view, i.e., style, and he will view the fight through the lens of his particular conditioning. Fighting, as is, is simple and total. It is not limited to your perspective or conditioning as a Chinese martial artist. True observation begins when one sheds set patterns, and true freedom of expression occurs when one is beyond systems.

Before we examine jeet kune do, let’s consider exactly what a “classical” martial art style really is. To begin with, we must recognize the incontrovertible fact that regardless of their many colorful origins (by a wise, mysterious monk, by a special messenger in a dream or in a holy revelation), styles are created by men. A style should never be considered gospel truth, the laws and principles of which can never be violated. Man, the living, creating individual, is always more important than any established style.

 

It is conceivable that a long time ago a certain martial artist discovered some partial truth. During his lifetime, the man resisted the temptation to organize this partial truth, although this is a common tendency in a man’s search for security and certainty in life. After his death, his students took “his” hypothesis, “his” postulates and “his” method and turned them into law. Impressive creeds were then invented, solemn reinforcing ceremonies prescribed, rigid philosophy and patterns formulated, and so on, until finally an institution was erected. So what originated as one man’s intuition of some sort of personal fluidity was transformed into solidified, fixed knowledge, complete with organized classified responses presented in a logical order. In so doing, the well-meaning, loyal followers not only made this knowledge a holy shrine but also a tomb in which they buried the founder’s wisdom.

But the distortion did not necessarily end here. In reaction to “the other’s truth,” another martial artist, or possibly a dissatisfied disciple, organized an opposite approach — such as the “soft” style versus the “hard” style, the “internal” school versus the “external” school, and all these separative nonsenses. Soon, this opposite faction also became a large organization, with its own laws and patterns. A rivalry began, with each style claiming to possess the “truth” to the exclusions of all others.

At best, styles are merely parts dissected from a unitary whole. All styles require adjustment, partiality, denials, condemnation and a lot of self-justification. The solutions they purport to provide are the very cause of the problem because they limit and interfere with our natural growth and obstruct the way to genuine understanding. Divisive by nature, styles keep men apart from each other rather than unite them.

Truth Cannot Be Confined

One cannot express himself fully when imprisoned by a confining style. Combat “as is” is total, and it includes all the “is” as well as “is not,” without favorite lines or angles. Lacking boundaries, combat is always fresh, alive and constantly changing. Your particular style, your personal inclinations and your physical makeup are all parts of combat, but they do not constitute the whole of combat. Should your responses become dependent upon any single part, you will react in terms of what “should be” rather than to the reality of the ever-changing “what is.” Remember that while the whole is evidenced in all its parts, an isolated part, efficient or not, does not constitute the whole.

Prolonged repetitious drillings will certainly yield mechanical precision, and security of that kind comes from any routine. However, it is exactly this kind of “selective” security or “crutch” that limits or blocks the total growth of a martial artist. In fact, quite a few practitioners develop such a liking for and dependence on their “crutch” that they can no longer walk without it. Thus, any one special technique, however cleverly designed, is actually a hindrance.

Let it be understood once and for all that I have not invented a new style, composite or modification. I have in no way set jeet kune do within a distinct form governed by laws that distinguish it from “this” style or “that” method. On the contrary, I hope to free my comrades from bondage to styles, patterns and doctrines.

What, then, is jeet kune do? I am the first to admit that any attempt to crystallize jeet kune do into a written article is no easy task. Do remember, however, that “jeet kune do” is merely a convenient name. I am not interested with the term itself; I am interested in its effect of liberation when JKD is used as a mirror for self-examination.

Unlike a “classical” martial art, there is no series of rules or classification of technique that constitutes a distinct jeet kune do method of fighting. JKD is not a form of special conditioning with its own rigid philosophy. It looks at combat not from a single angle but from all possible angles. While JKD utilizes all the ways and means to serve its end (after all, efficiency is anything that scores), it is bound by none and is therefore free. In other words, JKD possesses everything but is in itself possessed by nothing.

Therefore, to attempt to define JKD in terms of a distinct style — be it kung fu, karate, street fighting or Bruce Lee’s martial art — is to completely miss its meaning. Its teaching simply cannot be confined within a system. Since JKD is at once “this” and “not this,” it neither opposes nor adheres to any style. To understand this fully, one must transcend from the duality of “for” and “against” into one organic unity that is without distinctions. Understanding of JKD is direct intuition of this unity.

 

There are no prearranged sets or kata in the teaching of JKD, nor are they necessary. Consider the subtle difference between “having no form” and “have no form.” The first is ignorance, the second is transcendence. Through instinctive body feeling, each of us knows our own most efficient and dynamic manner of achieving effective leverage, balance in motion and economical use of energy. Patterns, techniques or forms touch only the fringe of genuine understanding. The core of understanding lies in the individual mind, and until that is touched, everything is uncertain and superficial. Truth cannot be perceived until we come to fully understand ourselves and our potentials. After all, knowledge in the martial arts ultimately means self-knowledge.

At this point you may ask, “How do I gain this knowledge?” That you will have to find out all by yourself. You must accept the fact that there is no help but self-help. For the same reason I cannot tell you how to “gain” freedom, since freedom exists within you, I cannot tell you how to “gain” self-knowledge. While I can tell you what not to do, I cannot tell you what you should do, since that would be confining you to a particular approach. Formulas can only inhibit freedom; externally dictated prescriptions only squelch creativity and assure mediocrity. Bear in mind that the freedom that accrues from self-knowledge cannot be acquired through strict adherence to a formula. We do not suddenly become free, we simply are free.

Learning is definitely not mere imitation, nor is it the ability to accumulate and regurgitate fixed knowledge. Learning is a constant process of discovery — a process without end. In JKD we begin not by accumulation but by discovering the cause of our ignorance — a discovery that involves a shedding process.

Unfortunately, most students in the martial arts are conformists. Instead of learning to depend on themselves for expression, they blindly follow their instructors, no longer feeling alone, and finding security in mass imitation. The product of this imitation is a dependent mind. Independent inquiry, which is essential to genuine understanding, is sacrificed. Look around the martial arts and witness the assortment of routine performers, trick artists, desensitized robots, glorifiers of the past, and so on — all followers or exponents of organized despair.

How often are we told by different sensei (masters) that the martial arts are life itself? But how many of them truly understand what they are saying? Life is a constant movement — rhythmic as well as random. Life is constant change, not stagnation. Instead of choicelessly flowing with this process of change, many of these “masters,” past and present, have built an illusion of fixed forms, rigidly subscribing to traditional concepts and techniques of the art, solidifying the ever-flowing, dissecting the totality.

The most pitiful sight is to see sincere students earnestly repeating those imitative drills, listening to their own screams and spiritual yells. In most cases, the means these sensei offer their students are so elaborate that the students must give tremendous attention to them, until gradually they lose sight of the end. The students end up performing their methodical routines as a mere conditioned response rather than responding to “what is.” They no longer listen to circumstances; they recite their circumstances. These poor souls have unwittingly become trapped in the miasma of classical martial arts training.

Pointing to the Truth

A teacher, a really good sensei, is never a giver of “truth”; he is a guide, a pioneer to the truth that the student must discover for himself. A good teacher, therefore, studies each student individually and encourages the student to explore himself, both internally and externally, until, ultimately, the student is integrated with his being. A good teacher is a catalyst. Besides possessing a deep understanding, he must also have a responsive mind with great flexibility and sensitivity.

There is no standard in total combat, and expression must be free. This liberating truth is a reality only in so far as it is experienced and lived by the individual himself; it is a truth that transcends styles or disciplines. Remember, too, that jeet kune do is merely a term, a label to be used as a boat to get one across; once across, it is to be discarded and not carried on one’s back.

These few paragraphs are, at best, a “finger-pointing to the moon.” Please do not take the finger to be the moon or fix your gaze so intently on the finger as to miss all the beautiful sights of heaven. After all, the usefulness of the finger is in pointing away from itself to the light, which illumines finger and all.

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Juniors: What should you be practicing?

With the introduction of the Mon grading system for junior students (5-12yrs) this year, I thought it be apt to elaborate a little more on what each Mon grade (tag) means and what the students should be doing from one Mon grade to the next.

This is not a definitive list of what the students should be practicing at home, just what we as instructors recommend they do for a few minutes (5-10 mins) each day.

All of the gradings drills can be found in your syllabus handbook. For more advice, please speak with your instructor in class.

 

From 10th kyu (White Belts/Beginners)

Lessons 1-2

Head, Middle, Low Punch
First four movements of kata Taikyoku Jodan

Lessons 3-4

Head Block, Middle Block, Downwards Block
Up to first kiai of Taikyoku Jodan (8 moves)

Lessons 5-6

Front Kick, Round Kick
Up to second kiai of Taikyoku Jodan (16 moves)

Lessons 7-8

Forward Stance, Hourglass Stance, Sumo Stance
Full kata (20 moves)

 

From 9th kyu (White Belt + Yellow Tip)

2-3 lessons

All basic punches, back fists and elbow strikes
Grading Combination for 8th kyu (Yellow belt)
First four movements of kata Taikyoku Chudan

3-5 lessons

Blocks
Grading Line Drill for 8th kyu (Yellow belt)
Up to first kiai of Taikyoku Chudan (8 moves)

5-8 lessons

Kicks
Grading Kumite Drill for 8th kyu (Yellow belt)
Up to second kiai of Taikyoku Chudan (16 moves)

9 lessons-grading date

All techniques, combinations, line drills, kumite drills and Full kata (20 moves)

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From 8th kyu to 7th kyu to 6th kyu to 5th kyu to 4th kyu

Working towards 1st Mon

Grading Combination
25% of kata

Taikyoku Gedan (5 moves)
Gekisai Ichi/Ni (6 moves)
Saifa (6 moves)

From 1st Mon to 2nd Mon

Grading Line Drill
50% of kata

Taikyoku Gedan (10 moves = 2 moves after first kiai)
Gekisai Ichi/Ni (10 moves = up to first kiai)
Saifa (10 moves = up to the step back double punch, circle down and hammer fist)

From 2nd Mon to 3rd Mon

Grading Kumite Drill
75% of kata

Taikyoku Gedan (16 moves = 2nd kiai)
Gekisai Ichi/Ni (15 moves = 2nd kiai)
Saifa (14 moves = 2nd kiai)

From 3rd Mon to 4th Mon

Full kata

From 4th Mon to grading date

All techniques, combinations, line drills, kumite drills and full kata

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